Hi! My name is Ash Srinivasan and this is a website I have designed and constructed to showcase my explorations in various forms of creativity. Enclosed are interior spaces that I've either done on my own or together with my partner Avi. Accompanying each portfolio of an interior space is an excerpt from a fantasy novel I'm currently writing. I've also penned some poetry, created Tibetan mandalas and written two series of articles for an Indian national magazine Design Today, part of the India Today group, one on the history of interior design from the Arts and Crafts Movement of the late 1890's to the Post Modern Movement of the 1980's, and one on Colour Theory, the colour circle and other aspects of the nature of colours and colour harmony
Obsessed with colour as I am, I have created numerous 3-D abstract pieces of art using the interiors of flats as my canvas. Colours used on the walls, upholstery, cushion covers and even the piping on cushion covers work together in a combination of the primary palette, secondary palette and tertiary palette of colours respectively, such that when one moves through these interior spaces, the eye does not get jarred by unexpected disharmonies. Textures of fabrics, cane, wood, brass, glass and stone add yet another dimension to my interior spaces. Form plays an important part of my interiors, where I source my furniture and bric a brac either from contemporary or antique stores, or design appropriate furniture pieces myself. It is this combination of colour, texture, and form that create my 3-D canvases that are expressive, yet balanced and harmonious. It is my endeavour that the view from any point within any of my interiors, that encompasses not just the room one is in, but the views into neighbouring rooms one can see into, should together form an expressive yet harmonious art.
All rights, print and electronic, of photos and written pieces within this website are copyright Ashwin Srinivasan, and open to negotiation
The little boy plunged stormily into the waters. He swam and he swam, deeper and deeper, until he reached the calm of the ocean floor. The waters were deep. They were inky violet in colour. And they lulled him into a semblance of peace. With bubbles of air escaping from the corners of his mouth, he then sped upwards once again, moving through shade after shade of blue, until he approached the surface. Where he glimpsed golden shafts of sunlight break through the rolling waters, creating a melody of translucencies in blue. He burst out of the water like a dolphin, his chest heaving, gasping for air. Pedalling the water, he spotted lime green fields in the distance. And he swam towards them with all the energy he had left
He let himself be gently washed onto the sandy shore. And with bare feet, he crossed the few yards of sand that lay between the water and the rolling fields of lime. His sandy feet trod upon the gentle green. He looked around and spotted an emerald forest in the hilly distance that the sun shone on. He walked towards the forest. And with determination, he climbed upwards towards the sun
The forest across the river was ancient, with huge trees mushrooming into profuse canopies of green, that nestled into one another. Sturdy trunks grew tall and strong, thick vines hung from the branches, and gnarled roots twisted outwards in search of moist earth to bury themselves again within. Butterflies floated about lazily, and birds chirped like children. Golden shafts of sunlight filtered through the overhead marriages of leaves, and dappled the mossy green ground with their warmth. Fruits hung in their lushness from the trees, the branches bending down that the earth might smell their seed. And an abundance of flowers, in a profusion of colours, ran rampant through this symphony in green
The little boy walked quietly through the forest, stepping over fallen branches and protruding roots, and moving aside cascading ropes of vines, all the while inhaling the heady fragrances of love’s many shades. He stumbled upon a tree from which ripe rooms hung in dense clusters like grapes. Cupping one sturdy cluster in his hands, he peeled away the thin borders between the rich fruit. Using his vulnerable hands, he kneaded the abundant pulp within into open, honest halls that graciously gave way to each other, and generous windows that let in shafts of sunlight through the day. And the branches of the tree, that grew into the balconies of this creation, he left untouched
He then painted the walls within in various shades of light, and bound the rooms together with the cord of his love, into a space he then called home. And thus did the little boy lay his love for his partner bare on his walls. The civilizations of the world that had existed since time began yielded him their colors. Brass. Silver. Bronze. Gold. Chocolate. Biscuit. Toffee. Caramel. Ivory. Marble. Pearl. Oyster. Amethyst. Ruby. Sapphire. Coral. Purple. Mauve. Lavender. Lilac. And Blue
The little boy traversed the centuries and plundered the ancient and modern empires of the world for their treasures. There was glass and light from the lands to the West, there was wood and fired earth from the lands to the East. He brought in delights from faraway lands, and brass and linen from the treasuries of his parents. Rooting within the many halls of his memories, he brought back fragments of the lands he had visited. And he then searched high and low till he found baubles to sprinkle within their home, baubles that humoured the space they occupied
What he could not find to put form to his vision, he fashioned himself out of the natural materials that were plentiful in his domain. It would seem that love had unleashed the potent raw energy that had lain dormant within him all this while
‘I think we might have something here’, grinned Light
Finally, laughing and giggling, the little boy and his partner carried their red velvet sofa together up the winding stairs that led to their home. Bursting in together through the front door they then wove all their treasures into a tapestry they together called home. It was their form of worship; it was their form of play. Besides, a home was what each had always ached to have. And so there they lived together in harmony
The front door is inspired by paintings of Piet Mondrian, some of which feature clean horizontal and vertical black lines against a white canvas. Primary colours are used for rectangles and squares where these black lines form boxes, much as on the front door
An old blue glass dome hangs above the door as a door lamp
The entrance to the apartment unfortunately had a load bearing pillar right in front. Instead of concealing it, I decided to highlight it by making it’s position the centre of a circle, one fourth of which was built up using glass bricks. This not only created a melody of shades of blue upon entering; it also concealed the dining room from view upon entry, directing the view instead towards the moss green living room
The two chairs of cardboard are designed by a Swiss designer to be collapsible. These two chairs were further enhanced by another artist and his wife, who painted their naked bodies with green paint and then sat upon the chairs, each leaving a green impression of their posture upon the chairs
On the summer’s day I met Avi in my house, the trees were laden with purple flowers. I had them picked and sun-dried. Thereafter I placed them inside a glass urn with a lid, which can be seen upon the wooden table in the foreground
Removing the wall between the moss green living room and the adjoining erstwhile citrus green bedroom, I got two living spaces that flowed into each other. I further integrated the two spaces with a white 7 feet long rag rug from Shyam Ahuja
The ceiling white fixture is of double layered white glass, made in Germany probably in the 1950’s. Since light from the bulb gets reflected multiple times within, there are no dark corners, whatever be the shape of these lamps. They all glow with a uniform shade of tungsten
An antique Baroque console, an original from the late 18th century stands against a moss green wall in the foreground. The lamp on the console is an original Art Nouveau lamp from France, made in the 1910’s
Colourful poufs, cushions and floor cushions in a variety of colours further integrate the two spaces with one another, creating one long living space
An antique floor standing brass lamp lies to the left of the console, positioned in the doorway between the two rooms
Standing at this spot, one had a view of the moss green living room, the Provence blue dining and the orange studio thereafter in the far background. To the right lay the citrus green living space and behind lay the ruby red balcony. It was imperative that from this vantage point, regardless of which direction the viewer chose to align his glance, that all colours in direct and peripheral vision combine expressively, yet harmoniously
The dining room in a Provence blue. An antique brass lamp from Kerala, India stands tall to the right of the image. The porcelain vases on the dining table are from Limoge, France. The ceiling lamp shade is the same as in the moss green living room—double layered white glass from Germany, manufactured probably in the 1950’s
The corridor to the right of the brass lamp connects the dining room to the citrus green living room. It contains a washbasin and two chinese suspended double layered glass lamp shades
Silly, but a little bit of silliness is sometimes necessary
The dining table is laid out with coloured glass plates from Love Plates, Germany. The glassware is from Villeroy and Boch and the cutlery is from Robert Welch in the UK. On the lavender streaked sideboard stands an Art Deco chiming clock and two stone figures
The spare bedroom/studio in a vibrant orange. A japanese paper mache lamp hangs suspended in the corner to the right. Along the right hand side wall are artificial roses on long slender steel stems mounted on a steel square base
The white empty frames are hand carved wooden frames from Rajasthan, India. The royal blue thick plastic bag on the floor is from Ordning and Reda, Sweden
The washroom connected to the studio. I had the walls tiled in square green tiles but stocks were limited so the last one foot of vertical wall space was done in the same tiles but white in colour
The washbasin was designed by me by putting together a glass bowl atop a colonial wooden table. A royal blue shower curtains hangs to the left
The entry to the master bedroom. The bedroom is done in a shade of fresh leaf green, being the first colour that one sees upon awakening and the last one sees before sleep
A collection of antique gold lacquered mirrors hang in the entry corridor to the bedroom. Artificial sunflowers on slender steel rods mounted on a square steel base add a touch of flower power to the bedroom
In the background, a curved antique wooden stool with the greek key pattern carved on its sides
The thick plastic shower curtain from Spirella, Switzerland has pockets into which I put artificial white gerbera flowers. The sanitary ware is from Villeroy and Boch, Germany
A white porcelain washbasin with generous sides as those in Ash’s grandfather’s time from Villeroy and Boch, Germany. A steel framed mirror from SKS Blomus, Germany hangs on the wall of vitrified textured white tiles
The master bedroom in all its resplendent vibrant fresh leaf green
Life was a sweet pill that they flipped into their eager mouths without a thought. And it was then that the music of the night truly began to play.
Wave after wave of the waters within them, linked inexorably to the waters of the seven seas, and from there to the Eternal Waters, rose from within them. Rising, rising, rising insurmountably until a crescendo was reached. Bass, soprano, alto, contrapunto. Soprano, alto, bass, contrapunto. Soaring, rising, booming, falling. Soaring, booming, falling, rising. Soaring, soaring. Higher, higher. Then the waves would lull themselves into sleep again. For just a moment. And then the music would surge forth again. Soaring and dipping, a lull and then a surge. Soaring and dipping, a lull and then yet another surge. The waters would play on with the music. And the music would play on with the waters.
Melody, balance, theory, order. Lilt, cadence, meter, pulse. Rhythm, harmony, tune, structure. Rising, soaring, and then a lull. Surges, surges and more surges. Melody, harmony, theory, rhythm. A brief lull, and another surge. A surge. A brief lull. Continuation, articulation, repetition, expression. Another surge of the waters. A lull. A wave crashed onto the ocean floor. Another lull. Another wave crashed onto the ocean floor. Pitch, tone, timbre. The music lapped at their feet. Expression. Surge. Silence. Lull. Silence. Joy.
The music of the waters entered their ears, and joined together with the rivers of love within their hearts. And the two little boys looked on in awe and wonderment
The same interiors of Gandhinagar toggle between the effect during sunlight and the effect of the same colours at night, using candles and tungsten lighting
At night, the mossy green of the first living room turns into a forest. The cane chair (The Cube) was designed by me. It measures 36”x36”x36” with 3” wide arms. It basically is a cube of cane hollowed out from within to create a home for the body, where a myriad of postures is accommodated. The French console is original Baroque and dates back to the late 17th century
The curtains are sheets of linen with belts of linen at either end that are knotted above the curtain rod and moved using an antique lacquer cane. They almost resemble roman togas. The white porcelain vases are from Limoge, France
The low black tables (Trinity) in both the moss green living room as well as the citrus green living room were designed by me. They measure 3’x3’x3’ and their legs are 3”x3”x3”. The red velvet sofa is from Ligne Roset, bought in 1994 and still withstanding the passage of time extremely well. An adenium plant graces the corner by the wooden chest from Kerala, India
The cane sofa in the balcony is an extension of The Cube. As the balcony was long and narrow, I cut out the centre 1/3rd of the sofa to facilitate easy access. The lamp is mid 20th century German double layered glass. Note that there are no dark spots anywhere within the lamp; the light is reflected back and forth within until all of the cube is evenly lit
The same toga inspired curtains adorn the dining room. An Art Deco clock graces the sideboard. The tableware is again from Limoge, France
The kitchen is replete with Bissazza tiling and an Art Deco amber chandelier hangs suspended in one corner
A glass lamp from Murano sheds light softly in the bedroom. In the foreground is an antique colonial wooden laundry bin
Every morning, his life in his Fortress of Dark would be shattered by the crow of the rooster. He would awaken and wonder how he was going to fill his madhouse until sweet sleep carried him back into a semblance of normalcy again. There was always coffee, he would think. He would lie in bed and wait until the Caliph’s retainer would come in with his morning coffee. Drink a few cups of coffee, move one or two steps closer to nightfall. And after that, he could count on his morning ablutions. That would take him a few more steps towards nightfall. Easy. But even as he would think that, the day ahead would approach him and, taking him unawares, slowly snuff out the few moments of hope that his sleep had gifted him to greet the new day with. Why bathe? he would then wonder
Stumbling out of bed, he would throw open the doors of his wardrobe and stare at the court robes he had now had made to order. There was jet black, pitch black, coal black, ebony and ink black, all screaming and vying with each other for attention. Which one would he wear? he would wonder, as he slid them back and forth, back and forth, faster and faster, faster and faster, on the rod they hung upon. He would feel agitation threaten to disrupt his being. And he would hurriedly take a set of robes out of his wardrobe
He would pick at his his way through the day at the Ministerium of the Caliph’s, and gaze at life from within his corpse, with abject disinterest and a rictus of cheer plastered on his face
Can’t you see something is wrong with me? his eyes would scream
The people around him would hear his screaming, and jerkily dance the pantomime that was their lives to its beat. Helpless, he would slump back into his chair
Lunch. A platter of sweetmeats from home. Easy to eat, he would think. Easy. Their cloying sweetness would soon overpower him and snuff out his taste buds. Better that, than to taste. Open the mouth, stuff them in and swallow. What am I meant to learn? he would wonder afresh. And his mind would begin to eat his mind afresh
Munch, munch, munch
Munch, munch, munch
Don’t taste, he would fiercely think, scrunching his eyebrows in his effort, as he shovelled the sweetmeats into his mouth. Then, before he knew it, he would be back at his desk. Where he could practice Light’s scrawl on multiple sheets of paper again, which he would then push around his table, in an attempt to look busy
He would dimly remember the times Light and he had spent together. Faint notes of music would tinkle in his ears. And the agitation would threaten to hurtle out of him. He would clasp his hands to his mouth and swallow hard. And the agitation would then slowly recede
Every evening on his way home he would look blankly at the crossroads where Light had waited for him, before they would ride off into the sunset together. It hinted of happier times, and he would dully wonder how it must have felt then
HIs head felt wooly, he would think. His mouth felt stale, his tongue thick and coated with fuzz. Had he brushed his teeth? he would wonder
He would suddenly notice the crowds of people headed home. It would then suddenly flood into him: he was not going back home, he was going back to his Fortress of Dark. He would feel the agitation begin to churn within him once more. Alarmed, he would close his eyes, gripping the sides of the chariot until his fingers would tremble from the strain. Keep the eyes shut and mouth pursed tight, he would think fiercely to himself. Think black. Think black. He would close his eyes tightly. And he would then violently jerk himself back to easier thoughts. He was in his chariot and it was being driven by the Caliph’s charioteer. Easy
He must have a coffee or two once he returned to his Fortress of Dark, he would slowly being to muse, eyes yet tightly shut. Then perhaps he would sit in his chair instead of going straight to bed. That always depressed him. He would think of the wide single bed that awaited him in his chambers at the Fortress. He would think of the marble floors that would be gleaming dully, turning gloomier and gloomier as the sun set further and further in the horizon. And he would feel the churning begin in his stomach once again
Think of the bed, he would swiftly and silently tell himself. The bed would be made. White, white linen. White. White. Light. And he would begin to shudder uncontrollably
Think of black, he would tell himself swiftly. Think of black. He would open his eyes a chink to see if he had reached the Fortress. He had not. Panicking, he would close his eyes tight again. The curtain of black would draw across his eyes again. And he would bring himself back to cold hard facts. Marble floors. Cold, hard, marble floors. THis chambers would be spick and span without a trace of dust, glowing in anticipation of his return. His mother would have seen to that
He really must hurry home, he would decide. The crowds were really unbearable at this hour of the day. He must have the curtains drawn as soon as returned home, he would think. He couldn’t bear the sight of light anymore, as it disappeared from his view every night
He remembered a paperweight he had once seen as a child. Or had it belonged to him? He would shake it violently and the snowflakes within would agitate in all directions. While the snowman in the middle stood grinning broadly. Stupid snowman. Stupid. Stupid. Stupid
He would open his eyes again only when he could sense the chariot being driven into the Fortress. In his chambers, the Caliph’s attendant would be waiting to remove his robes. They weren’t taking any chances with him escaping, he would think. One retainer at the door to his chambers. Four more stationed by the stairs of his mother’s porch that his chambers led onto. Six more patrolling the front entrance of the palace. And of course, the imbecile who would visit him for a while every evening. Grinning broadly, the thug would twiddle his fleshy thumbs as he sat in silence before the little boy for an eternity, until he left
There he was in his chambers. Another day done. One or more cups of coffee to greet sleep sooner. Things were looking up already, the boy would think. It would be dark soon. And sleep would soon arrive. It was so very boring sitting still in his chair, looking around at his richly appointed room. Nothing moved, not even a vase, he would think. And he would giggle
Ah, soon he would be getting ready for bed. Porridge for dinner. Easier. Just drink a glassful. No need to munch. Swallow it. Simple. Then lie in bed. And wait for the dark. Easy. He’d done this for a million and one days already. What was one more day, after all?
In the Fortress of Dark, there is no passage of time.
A private suite of two rooms for the scion of an industrialist family. The first room one walked into I chose to make the bedroom as it hardly had any view from the windows at all. The room that followed I chose as the living space as it overlooked lush gardens
An explosion of Pop Art greets visitors as they enter this suite—Four lithographs of Marilyn Monroe by the artist Andy Warhol, they date from the 1970’s
The bed in the violet bedroom is an antique Chettiar bed inlaid with ceramic tiles
The tall brass lamp is an antique sourced from Kerala. The white chest of drawers besides the lamp is something I designed myself. A tall mirror, reminiscent of old British colonial gentleman’s clubs is in the corner. The parrot green drapes cast a green hue upon the white satin bedlinen
The parrot green drapes cast a green hue upon the white satin bedlinen
In the aubergine living room, again my centre table Trinity with an antique brass urn placed in the middle. An antique chandelier hangs from the centre of the room. An antique Chinese chest replete with innumerable drawers is placed by the side of the red velvet sofa. A lamp from Limoge, France sits atop the Chinese chest
The curlique stool in the foreground in lilac is a design of mine, inspired from an elephant’s trunk
An antique partner’s desk with original green felt serves as a work desk. The room lacked a touch of green until three freshly cut bamboo rods above the partner’s desk filled that need
Given the violet of the bedroom and the aubergine of the living room, for the bathroom I chose a hot flamboyant orange, a colour with a cheery disposition
And Lo!
One fine day, when the sky was blue and dotted with puffy white clouds, when squirrels frolicked and when larks sang, he met another little boy. Who was on the same search that he was on. It was a meeting determined by chance; it was a meeting ordained by chance. Creation had finally spoken
Cymbals clashed, trombones played and triangles tinkled. The clouds sang in delight, and the heavens cried in joy. While the choir of stars hummed. For the river had finally reached the ocean, and the mountain had at last touched the sky. And all of Creation’s children watched in wonder, waiting as they had done for eons for this moment
The little boy fell in love. With another little boy, a wandering child of curly hair and cultured descent. He looked into his eyes. And his love was dancing all over the place
‘What is your name?’ inquired the little boy, brought up as he was to be polite
‘Most call me Light; yet others call me what only their eyes can see,’ replied the wanderer. ‘It is for you to decide’
The little boy grew intrigued
’Look for my name within,’ said Light. As he held up a mirror before the little boy. The little boy looked and looked and looked in vain, but all he could see was his own reflection. At first baffled, then intrigued, he soon became infatuated. And from there he dove rapidly and securely into love
‘Sing me a song,’ he asked of the wanderer. As he looked into his eyes afresh and wondered if they might well be twins. And Light in turn, besotted by the naked river of love he chanced to glimpse swirling furiously behind the little boy’s eyes, wondered ferociously if it were not time for him to hang up his coat
And so Light sang to the little boy in his language. And he danced for the little boy. Gathering motes of colour from here and there and everywhere, with his naked hands as the warp and weft, and his dance the loom, he wove a shimmering cloak of enchantment that twinkled with every move it made. And he gave it to the little boy to wear
The boy tried it on, and the river of love within him surged in joy. The barriers holding the waters gratefully tumbled down. And the little boy’s heart was suddenly filled to brimming with a language, his mother tongue that had been but waiting for release. It was a language that he had never spoken, but yet was so achingly familiar to him in all its tones and intonations. His tongue started moving of its own accord in unison with his heart. Words he had never known suddenly dawned on him, issued themselves from within him, and composed themselves of their own accord into a symphony. And he sang
Together Light and he would rock themselves gently back and forth on the long rosewood swing in the Queen’s porch. Where the little boy would sing to Light
He sang of water in all its manifestations. Of gurgling streams and deep oceans, of running brooks and placid lakes, and of rivers in spate and choppy seas. He sang of thundering waterfalls cascading out of rock. And he sang of soft water flowing in hand-dug irrigation canals. He sang of the passion that erupted when tentative rivers first encountered parched lands as they wound their way across sun-scorched plains in search of the ocean. He sang of water as it descended from the heavens, only to dance in glee as it landed on the earth. He sang of the never ending daily cycle of the seas rolling in to mystify the land. Only to later recede, revealing the treasures they had gifted the land. And he sang in lilting tones of the merry myriad shades of blue, and the million and one mystical hues of violet
The long rosewood swing in his mothers’ porch rocked gently to and fro, its chains creaking gently to the tune of the little boy’s songs. Until the two boys fell asleep on each others’ shoulders
Days passed by so
Light wondered if he had finally reached his destination
‘Shall I …,’ began Light, hesitantly
‘Yes …,’ smiled the little boy
Within opulent white walls, and encased in ruby-red velvet, they decided they had a thing in common. And this was meant to be
The little boy sought to find a new home for himself, and he smelled the beginnings of it in the backyard of an old glass building. An abode on the ground floor with a doorway separate from that of the rest of the building beckoned him. He smiled at the horseshoe placed above the door, and hoped fervently that it signified a new beginning. And it did
The Abode. It was a large hall, rudimentary at best. A bed of straw with a rough cotton sheet drawn over it for a semblance of comfort. Curtain rods that hung awry from the walls, and a corroded metal wardrobe for his clothes. But he, who had slept upon sheets of the finest white linen and the most exquisite lace, cared not an iota about this. He nevertheless gazed blankly at the blackness inside the wardrobe and wondered how he would put his few clothes inside
‘Perhaps I could line the rust-splotched shelves with paper’, he thought, suppressing an involuntary shudder
There was a larder, whose door creaked on its hinges as the boy peeked within. Alongside the merest whisper of an open plan kitchen. ‘Tolerable plumbing’, thought the boy, heaving a sigh of relief, as he quickly glanced over the washroom
But as the boy quickly scanned the dimensions of the spaces within this dwelling, he noted the high ceilings and the large windows that would let sunlight in through the day. He sensed potential within this physical space. And more importantly, he got a whiff of his possible future there. He flung his arms out, and spun around and around in delight…
…And so it was that one fine morning, shortly after the little boy had moved into his new abode, he discovered that a most incredible event had occurred. During the night, an impossibly white tigress had given birth to a litter of three impatient tiger cubs under his kitchen sink. And her incredulous green eyes looked up at him inquiringly, as he opened the door beneath the sink, in all his innocence.
‘Eek!’ exclaimed the little boy, throwing his hands up in the air.
Out jumped the startled tigress through the kitchen window, pink snub nose, impossibly white tail and everything else between. Leaving her three cubs to fend for themselves momentarily….
…He started calling the tigress Cat. He was neither, he decided, going to give her a proper name, nor was he going to make any attempts at domesticating her. Otherwise, he reasoned to himself, the next thing would be to tie a silk bow, maybe with a small silver bell, around her neck. And expect her to come over to him when called
Perhaps even have her lie across my lap, and allow her ears to be scratched, he mused silently to himself, while the world flashes by on a screen. Conceptually all that my parents expected of me, that which however was not in my nature to be, he concluded to himself, nodding his head in agreement with his words…
…Cat was very pleased with this turn of events. She was very very pleased indeed. She would prowl around his peaceful little kingdom, that grew increasingly beautiful with every piece of furniture that came in. She would mark each piece of furniture with the edge of her pink snub nose, her impossibly white tail swishing in happiness. Whilst the little boy went about scattering his treasures within his glass walls.
Rooting around in the warehouses of his past, the boy stumbled upon a collection of water droplets made of glass. He hung these from the ceiling by the main door. And thus did visitors to his domain walk into a shower of crystal rain. These water droplets in glass would catch the evening sun that streamed in through the window, and scatter the myriad magical colours of light throughout his home.
Once finished, the little boy lit the lamp to his silver idol and, sitting upon his red velvet sofa, looked around his little domain. The setting sun shone through the orange silk curtains in the hall, and reflected themselves off the glass walls of fuchsia and chartreuse.
And his happy kingdom glowed thus every evening in an orange hue.
An apartment done up on a shoe-string budge, I found a number of pieces of an antique chandelier rummaging in an antique store. I then hung them up with brass chains from the ceiling to create an installation Avi named “Rain’
The window ledge within the iron grills Ash filled with spider lily plants. For curtains he chose orange silk, done in the style of roman blinds
The elaborately carved top of an antique glass fronted low cupboard
The two chairs in the foreground are made of cardboard and collapsible. They were further enhanced by a Swiss artist, who together with his wife, painted themselves with green paint and sat upon the two chairs, leaving the green forms of their posture imprinted upon the cardboard chairs
In the background, a chest of drawers designed by me with a variety of antique and contemporary glass pieces upon it
In this apartment, the entrance area was entirely covered with textured bricks that then ran along the walls of the living room to a height of about four feet. I had the foyer painted purple and continued the purple on the textured bricks along the walls of the living space. The smooth texture of the living room walls I had painted chartreuse
Four cement cube planters repurposed form a living room table in front of the red velvet sofa. The same chinese chest from the album Archbishop Mathias Avenue rests between the red velvet sofa and the far wall. A limoge porcelain lamp rests atop the chinese chest
The living room leading into a corridor, with silver painted wooden pillars framed against orange silk. The poster on the wall is a lithograph of a film Tasveer (Mirror) made in Mumbai in the 1950’s that used to grace the walls of the film theatre where the film was being screened
In the foreground the repurposed cement planters with a green crystal glass plate from Villeroy and Boch
Along the wall of the red velvet sofa, before the corridor, an antique colonial glass fronted cupboard that serves as a kitchen cabinet, for the open plan kitchen
A host of artificial white gerbera flowers mounted on thin steel rods splay themselves across the living dual tone walls. To the right, a contemporary Art Deco lamp. Upper left is part of the lithograph mentioned earlier in this series of pictures
The top of the kitchen cabinet with it’s wooden carvings. Atop the cabinet top rest three trolls, a tall crystal vase filled with artificial sunflowers, a candle stand, an amphora and an antique framed print with a roman theme
The very same kitchen cabinet surface replete with glass vases, decanters and candle stands, both antique and contemporary
The corridor that leads from the living room to the bedroom is graced by tall doric wooden pillars painted silver, with the space between the pillars lined with orange silk
The shower curtain in the bathroom that has a door to the pillar lined corridor. The plastic shower curtain has pockets in it, which I filled with art photography of male nudes
A lime green plate in a dishrack placed by the window of the blue open plan kitchen. A wind chime hangs from the ledge above the window sill; the wooden crescent is a part of that wind chime that is buffeted by the wind to create music
The bedroom curtains are made of parrot green silk and liberally festooned with 1” round mirrors embroidered on using pink thread. A tall Art Deco lamp in front of these curtains sheds light on the curtains
A crystal glass frog and rooster, both from Baccarat alongside an antique gold lacquer box in the bedroom that I had painted fuschia, to work together with the purple and chartreuse of the living room and the orange of the corridor
An antique fan painted silver spins around suspended from the royal blue ceiling of the fuschia walled bedroom
Spider lilies bursting out through the living room window grills into the vast freedom outside
An indoor adenium in full bloom
The living room at night, taken from the open plan kitchen. Here one sees the pair of lithographs for the hindi film Tasveer (Mirror), both same, yet slightly different in nuances of colouring
And so it was that there was once a City of Eternal Light. It had gleaming spires, curling domes, and shooting towers that seemed to scrape the skies. As well as short, squat buildings that hunkered down in and around these treasures. They were all made of thick, clear glass. There were bath-houses, granaries and city squares, there were opera houses, train stations and lighthouses. Traffic signals, parks and playgrounds, they were all there. One could see through them and around them. They were all made of, as well as capped with, fantabulous forms of glass, each and every one of them. Within each of these crowns of wondrous forms, there was a fire that never seemed to go out. And indeed it never did
The flames that danced within these glass crowns reflected themselves multifold in the glass walls of the buildings. They created rainbows of colour that seemed to start from every point within the city and end at every point within the city. It would seem the city itself was the veritable pot of gold that seemed to find itself, as popular lore would have it, at the end of every rainbow. And people would flock to this city. In droves
Every morning, the sun would rise on this city of the heart’s fire. The flames atop the buildings would writhe in joy at meeting their father. And the sunlight would then turn this Eternal City of Light into an inferno of love. Droplets of sunlight would be caught by the glass, reflected and refracted multiple times, before being spun off as motes of color in different directions. Some would burrow themselves into the earth and grow into flowers. Yet others would shoot into space and turn into the stars
The sunlight would be relayed from one building to the next, as the sun continued its journey across the sky. And once the sun had retired for the day, the flames atop these buildings would then dance in all their glory for their mother, night after night
And the world would be bathed in an ethereal hue
I used to design high end home linen—kitchen towels, tablecloths, bedsheets and pillow/duvet covers—for export to Europe in the late 1990’s. Enclosed here are a few of my designs for kitchen and table linen in the Cretonne weave and bedlinen in the Satin weave. Insistent upon high quality and market requirements, my home linen can be washed at 60 degrees celsius with neither colour bleeding nor shrinkage
I also attended the Textilkaufmannkurs (Textile Buyer Course) at the Textilfachschule (School for Specialisation in Textiles) where the course was taught in German. I learnt German in order to attend the school—my German is as fluent as my English—and came out on top of the class in 2006
In this course I learnt everything about purchasing from the beginning of purchase of cotton fibres or linen yarn through to cotton thread, fabric weaves and finished clothing or home linen. I also learnt how to have different weaves woven—numbering in their 100’s—and was instructed in the composition of looms for jacquard weaves
It was through his textile designs that I first entered the world of colour
…we are all so fragile…
Sitting together with his grandmother, the young boy would learn to paint innumerable small clay bowls by hand, in a riot of patterns and colours. Using a paste made of rice flour mixed with different colours, she would get down on her knees and, in a religious fervour, draw large, intricate and symmetrically balanced patterns on the floor. The little boy, in a similar trance, would watch her tireless effort to love her gods. And these patterns became indelibly etched in his memory
‘These are the many patterns of life,’ she would tell her grandson, as she got down on her knees and started sketching a pattern
‘Each beautiful in their own way. And each indecipherable when we are lost within them. Much like the individual grains of rice flour within the paste, secure in their position within the pattern, yet having no comprehension of the overall pattern’
He would listen with rapt fascination. And he would wonder what indecipherable meant
‘There is an order to each of these patterns,’ she would say, as she slowly got back onto her aching feet
‘The order of the macrocosm within the chaos of the microcosm’
He would nod in agreement. And wonder whether she would then cook his favourite sweetmeats for him
She would slowly introduce the little boy to her kitchen, patiently teaching him recipes that had been preserved by her ancestors down the many generations. Boiled rice, and a thick lentil soup. And then vegetables, first lightly sauted, and then sprinkled liberally with grated coconut. These were the staples of her cuisine, which the little boy took to with great relish. Food was eaten off banana leaves, which would then be collected together with the leftovers and fed to the cows
‘It is all but a circle,’ she would say to the little boy. Who would listen with utmost sincerity
Buddius began to growl. From a shy baby tiger, he blossomed into a flower of love and claws
Every morning, once hunger beckoned, he would wander into the bedroom and, seating himself on their bed by the little boy’s partner, would gently swat his feet. Until Light awoke. Who would then in turn push the little boy out of bed, that Buddius could be fed
Buddius would never try waking the little boy up. Despite their deep, deep bond, he knew the little boy would bodily pick the baby tiger up and fling him out of the bedroom, claws and all. The little boy so loved his sleep
And so it was that every morning the little boy would wander bleary-eyed into the kitchen, and wash Buddius’s bowls. And then feed Buddius. Who was by now partial to either tuna, or a mixture of sardines, calamari and prawns. As a special treat, the little boy would sometimes feed him spring water yellow fin tuna
The boy would then light his lamp to his silver deity, as he has done for many a morning. And thereafter light the fires in preparation for the day’s meals. Rubbing his eyes, he would pick up the bellows to stoke the fires, and thereafter lay out the vegetables in neat rows upon the kitchen counter. Listening to the chants of the Goddess on the radio, singing lustily along with her and very often out of tune, he would set about preparing breakfast. And he would look out of the window as he did so
Meanwhile Buddius, humming along with the chants of the Goddess, would wander from window to window. Doing his daily morning census of the pigeons that fluttered and roosted on their window ledges, on the other side of the picture windows.
‘Have you seen them?’ Buddius would ask the little boy every day. In all his indignation
‘They know what is what, but they don’t know what is what. They just strut. What the $#@%?
And his tail would swish faster and faster, in a fit of pique
The little boy would shrug his shoulders in response and go back to stirring the finely ground wheat he had just brought to boil in water
‘Good morning,’ he would cheerily wave out as his partner stumbled bleary-eyed out of the bedroom. Who in turn would be inwardly groaning at the sight that lay before him just as he got out. A tiny tiger taking a census of pigeons, tearing around from window to window to make sure he didn’t miscount. Pigeons fluttering away from the windows each time Buddius slammed up against the window pane. The little boy vigorously cooking away at the kitchen counter from which a melange of smells was emanating. A scene of domestic chaos, of pots and pans clanging, of whistling pressure cookers, of vegetable cut and chopped, and leafy waste piled high. And all this while the Goddess chanted on the radio
‘Should I just dive back into bed and wait for all this chaos to subside?’ he would wonder
Meanwhile Buddius would spot him. And scampering over over to him, would give him a gentle nip on the calf
‘Love and affection in every direction,’ the little boy boy would say bursting out laughing. ‘You could almost compose a movement sequence to that’
And throwing his arms out, would move his forearms from side to side, clicking his thumb and forefinger together with every alternate swing
The little boy’s partner would then decide to throw his lot in with theirs; a kookier bunch he would be hard pressed to find. And he would stumble onwards to the living room
Suddenly a voice would ring out
‘You vill eat your food’
Light would turn around to look. And there would be Buddius, a rather mutinous Buddius, sitting in front of a bowl of sardines, calamari and prawns. With the little boy, holding his ladle, standing in front of the bowl
‘You vill eat your food’
‘No!’ Buddius would retort
Light would wonder if he should involve himself
‘Wassup?’ he would ask
‘I gave Buddius some spring water yellow fin tuna the other day as a special treat. Remember? We had gone out to the taverns to play. And you thought he should play too’
Light started to back away from what he saw as a pitfall in the offing
‘Now he wants it every day’
Light would glance first at a rather mutinous Buddius and then at loving although stern little boy. Who was secretly hiding a smile, and begin to wonder if he should perhaps reconsider his decision
‘You vill eat you food.’
‘No! No! No!’ Buddius would cry out, before beginning to bolt all over the place, from room to room. Over the furniture. Under the furniture
‘Look! the little boy would gasp, tears of laughter running down his cheeks. ‘Buddius has the gall to think that with his size he can scare us. With his Bolts of Revolt!’
And still laughing the little boy went back to his cooking, with Buddius still bolting all over the place. Trying to scare the inmates into giving him his spring water yellow fin tuna
‘Call me when you’re done cooking,’ shouted out Light to the little boy as he skedaddled back to the bedroom, determined at all costs to hold on to his sanity
And then it would rain
The little boy would silently run out onto his courtyard, and spin around and around in delight. While his earring would bob up and down in tune with the rain’s steady patter. Holding his palms upwards, he would watch the raindrops as they splattered onto him. He would rub his palms vigorously over his soaking face, and run his fingers through his soaked hair. Until their waters percolated his very being. Every now and then golden sunlight would peek out from behind the dark clouds, only to catch sight of these droplets falling on the little boy. These droplets of blue tinged with golden sunlight would then feel very, very happy as they coursed over his body and clung to his clothes
Splashing out onto the road, the drenched little boy would watch the procession of the colourful denizens of this city of glass, as they went about celebrating the arrival of the rains. To the steady sound of their drums and long, long wind pipes, in fascinatingly synchronised step and beat, they would dance with the water droplets, as their multihued clothes danced around their bodies
Ruby red amusing icy blue. Icy blue eyeing majestic violet. Lime green gazing upon the same majestic violet with utmost absorption. Icy blue turning green with jealously for an instant and then reverting back to icy blue. Turquoise and verdant green, both renewing each other. Coral red and brick-red chasing scarlet. Scarlet then turning around and chasing them in turn. Smudges of flamboyant orange teasing a smile out of sombre grey. Prussian blue and ultramarine shimmering in and out. Chartreuse and magenta smiling hand in hand. Dabs of soft peach romping with indigo and green. Vermillion getting into the groove. Shades of dignified brown walking in step. Droplets of lush emerald. Melodies in dancing blue. Tints of purple, mauve and lavender, all cheering the procession on. Ivory, powder blue and pink, giggling and darting around between their brethren
Streaks of primary yellow, pure red and pristine blue singing softly. Glimpses of dazzling white. Music. Magic